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Name
Mr Max Kandhola
School
School of Art and Design
Staff group(s)
Photography
Telephone
+44 (0)115 848 8252
Address
School of Art and Design
Nottingham Trent University
Burton Street
Nottingham
Nottinghamshire
NG1 4BU
Mr Max Kandhola

Job title

Principal Lecturer and Programme Leader, Photography

Job responsibilities

Max Kandhola is a Principal Lecturer and Programme Leader of Photography he is responsible for the academic leadership, the design, delivery and content of curricula and management of the Photography programme. He contributes towards the teaching on the undergraduate and postgraduate studies and research supervision. Max sits on the College Research Committee and the Joint Inter College Ethics Committee. He is also curatorial board member for the Bonington Gallery and Teaching and Learning Committee member.

Publications

Mr Max Kandhola

Research Centre or Group

Photography

Research, scholarly and professional interests

Max Kandhola's research has been observing and questioning issues of difference for the past ten years. His approach is philosophical; through vernacular photography used as a cultural discourse, he has been investigating identity and memory, mapping ancestral narratives through history and heritage. A key area of Kandhola's research has been the Punjabi diaspora in England, using his family as its main subject.

The photography engages with a social and political discourse of cultural diversity and ethnicity, reflecting upon the residual presence and its environment, tracing specific lived realities. These key areas of research are used as a metaphor to photograph social and urban living: the human condition (death and dying); the extended family and its material culture; the use and meaning of photography through an interrogation of the archive. These metaphors are represented through landscape photography, portraits and the body politic.

Sponsors and collaborators

  • Autograph ABP Association of Black Photographers, London
  • Light Work, Syracuse, New York
  • Photo District News (PDN)
  • Dewi Lewis Publishers, Stockport, England
  • Seeing The Light and Rhubarb Rhubarb (International Photographic Festival), Birmingham
  • Pavilion, Leeds
  • Birmingham Museum and Library Photographic Archive
  • FOTOFO Month of Photography, Bratislava, Slovakia
  • Arts Council England
  • Creative Alliance, Birmingham
  • Portfolio Magazine
  • British Journal of Photography, London
  • Next level, London
  • Angela Flowers Gallery, London
  • Arles Photography Festival, France
  • Habitat Art Gallery, Delhi, India
  • Impressions Gallery, England
  • Museum of Photography Film and Television Bradford
  • Hug Gallery, Amsterdam
  • Photographic Forum, Frankfurt, Germany
  • Angela Flowers Gallery, London
  • Arles Photography Festival, France
  • Habitat Art Gallery, Delhi, India
  • Impressions Gallery, England
  • Museum of Photography Film and Television Bradford
  • Hug Gallery, Amsterdam
  • Photographic Forum, Frankfurt, Germany

Current projects

Roti Kapra ate Makhan: (Food Cloths and Shelter) is a work in progress, which explores contemporary Sikh life in England, through a collection of vernacular photography documenting Kandhola's extended family, (portraiture) history and archive.

Blue Sky Urban Stories: Middle Earth: this is a new research project, which places itself within Birmingham, documenting childhood memories in its exploration of the outer landscape that surrounds the metropolis. Using key routes from the city's centre, Kandhola is exploring the surrounding countryside, photographing the landscape on large format negatives and placing this back into the land, metamorphosing the process in its exploration of identity and a place of his birth. The burial of the negative into the land is intended to confront us with nature. The natural process of decomposition is used as a metaphor in discussing ideas of ritual, resurrection, death and memory. The decay and detritus of the process has its origins and methodologies from his early works.

Wedding A Brief History: The Photographic repetition and representation of traditional Sikh weddings, mapping ritual and its social significance in cultural identity, fashion, time and history through photographic archive;

British Boxing: This project uses the gym as a metaphor for documenting social space and the residual presence of boxers past and present reflected within the aura and silence of the interior space.

External academic and professional activity

  • 2007–2010, AHRC Peer Review College
  • 2005–present, Board Member, Pavilion, Leeds
  • 2005, portfolio Review Panel, November Month of Photography FOTOFO, Bratislava Slovakia
  • 2005, Mentor, Creative Alliance and Seeing The Light Agency
  • 1999–present, Board Member, Rhubarb Rhubarb International Photographic Festival England
  • 1992–present, Member, Autograph ABP, Association of Black Photographers, London

Information for prospective research students

Within the philosophical and cultural discourse in Contemporary Photography, Kandhola is interested in supervising doctoral research proposals that engage with a political and social context in relation to practice, particularly if exploring issues and questions around the following:

  • Vernacular photography, cultural discourse, ethnicity and identity
  • The photographic archive and evidence
  • Issues of mortality, death and the human condition 
  • Ancestral narratives, the family album
  • Diaspora and migration, landscape and memory

In relation to the practical focus of creative projects, he is interested in proposals that explore photographic representation through landscape (social or urban), portraiture, the body politic, or the photographic archive.

Nottingham Trent University
Burton Street
Nottingham
NG1 4BU

Telephone: +44 (0)115 941 8418
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