2012

Aimee has a love for light throughout her degree; Aimee’s lighting series shows her keen interest for beauty of light. Aimee has developed two series of lights one in paper porcelain, one glass blown. In the paper porcelain series Aimee has made her own clay by mixing porcelain clay together with substances such as hay, straw, to create an organic texture, that evoke a warm spring like feel to the room. In the glass blown series, Aimee has designed these to hold beauty and function together, bringing technologies and glass to create one of a kind form of lighting.

Aimee has a love for light throughout her degree; Aimee’s lighting series shows her keen interest for beauty of light. Aimee has developed two series of lights one in paper porcelain, one glass blown. In the paper porcelain series Aimee has made her own clay by mixing porcelain clay together with substances such as hay, straw, to create an organic texture, that evoke a warm spring like feel to the room. In the glass blown series, Aimee has designed these to hold beauty and function together, bringing technologies and glass to create one of a kind form of lighting.

Aimee has a love for light throughout her degree; Aimee’s lighting series shows her keen interest for beauty of light. Aimee has developed two series of lights one in paper porcelain, one glass blown. In the paper porcelain series Aimee has made her own clay by mixing porcelain clay together with substances such as hay, straw, to create an organic texture, that evoke a warm spring like feel to the room. In the glass blown series, Aimee has designed these to hold beauty and function together, bringing technologies and glass to create one of a kind form of lighting.

Aimee has a love for light throughout her degree; Aimee’s lighting series shows her keen interest for beauty of light. Aimee has developed two series of lights one in paper porcelain, one glass blown. In the paper porcelain series Aimee has made her own clay by mixing porcelain clay together with substances such as hay, straw, to create an organic texture, that evoke a warm spring like feel to the room. In the glass blown series, Aimee has designed these to hold beauty and function together, bringing technologies and glass to create one of a kind form of lighting.

Catherine is a narrator; every piece of work needs to tell a story. Inspiration for her work comes from a passion of pulling at personal ties, looking at memory and triggers within life. Catherine’s designs focus on telling stories that fit to the individual. Her work reveals the things we keep close, beginning with an exploration of the forgotten, delving into a world of secrecy, keepsake and hoarding. Over the three years she has developed a sense of individual style within drawing and colour, allowing her to become the narrator within the designs instead of the reader.

Catherine is a narrator; every piece of work needs to tell a story. Inspiration for her work comes from a passion of pulling at personal ties, looking at memory and triggers within life. Catherine’s designs focus on telling stories that fit to the individual. Her work reveals the things we keep close, beginning with an exploration of the forgotten, delving into a world of secrecy, keepsake and hoarding. Over the three years she has developed a sense of individual style within drawing and colour, allowing her to become the narrator within the designs instead of the reader.

Catherine is a narrator; every piece of work needs to tell a story. Inspiration for her work comes from a passion of pulling at personal ties, looking at memory and triggers within life. Catherine’s designs focus on telling stories that fit to the individual. Her work reveals the things we keep close, beginning with an exploration of the forgotten, delving into a world of secrecy, keepsake and hoarding. Over the three years she has developed a sense of individual style within drawing and colour, allowing her to become the narrator within the designs instead of the reader.

Catherine is a narrator; every piece of work needs to tell a story. Inspiration for her work comes from a passion of pulling at personal ties, looking at memory and triggers within life. Catherine’s designs focus on telling stories that fit to the individual. Her work reveals the things we keep close, beginning with an exploration of the forgotten, delving into a world of secrecy, keepsake and hoarding. Over the three years she has developed a sense of individual style within drawing and colour, allowing her to become the narrator within the designs instead of the reader.

The collection of work has been inspired by delicate textures and line found within natural and organic forms. As a result, Clare has explored these forms by producing a range of contemporary pieces, focusing on the interaction of colour and stitch through using various fabrics and processes. The concept of hiding and revealing colour and patterns through textiles is a key theme which she has continued to investigate through her collection.

The collection of work has been inspired by delicate textures and line found within natural and organic forms. As a result, Clare has explored these forms by producing a range of contemporary pieces, focusing on the interaction of colour and stitch through using various fabrics and processes. The concept of hiding and revealing colour and patterns through textiles is a key theme which she has continued to investigate through her collection.

Like the pages of a diary, the paper of Clare's 3D illustrations tell thoughts that would otherwise be unknown. The work, which is entirely hand crafted and highly detailed, form a place of peace, homeliness and escapism. Here, she invites you to look in, and stay a little if you please.

Like the pages of a diary, the paper of Clare's 3D illustrations tell thoughts that would otherwise be unknown. The work, which is entirely hand crafted and highly detailed, form a place of peace, homeliness and escapism. Here, she invites you to look in, and stay a little if you please.

Like the pages of a diary, the paper of Clare's 3D illustrations tell thoughts that would otherwise be unknown. The work, which is entirely hand crafted and highly detailed, form a place of peace, homeliness and escapism. Here, she invites you to look in, and stay a little if you please.

Jodie’s designs stem from the investigation of dragonflies, exploring the pattern and structure of their wings by printing and laser cutting. The work explores the interaction of colour and pattern through layering and combining different designs on fabric and varying materials. Each piece is unique and handmade, encouraging customers to treasure each garment as a precious piece of art.

Jodie’s designs stem from the investigation of dragonflies, exploring the pattern and structure of their wings by printing and laser cutting. The work explores the interaction of colour and pattern through layering and combining different designs on fabric and varying materials. Each piece is unique and handmade, encouraging customers to treasure each garment as a precious piece of art.

Jodie’s designs stem from the investigation of dragonflies, exploring the pattern and structure of their wings by printing and laser cutting. The work explores the interaction of colour and pattern through layering and combining different designs on fabric and varying materials. Each piece is unique and handmade, encouraging customers to treasure each garment as a precious piece of art.

Katie’s work explores the use of space through embroidery techniques. Playing with scale and solidifying the 3D framework of stitch has allowed her to investigate a variety of potential outcomes. The work also looks to challenge conventional ideas of embroidery as a delicate and feminine embellishment by using it to create structures.

Katie’s work explores the use of space through embroidery techniques. Playing with scale and solidifying the 3D framework of stitch has allowed her to investigate a variety of potential outcomes. The work also looks to challenge conventional ideas of embroidery as a delicate and feminine embellishment by using it to create structures.

Katie’s work explores the use of space through embroidery techniques. Playing with scale and solidifying the 3D framework of stitch has allowed her to investigate a variety of potential outcomes. The work also looks to challenge conventional ideas of embroidery as a delicate and feminine embellishment by using it to create structures.

Katie’s work explores the use of space through embroidery techniques. Playing with scale and solidifying the 3D framework of stitch has allowed her to investigate a variety of potential outcomes. The work also looks to challenge conventional ideas of embroidery as a delicate and feminine embellishment by using it to create structures.

Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Woof. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs.

Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Woof. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs.

Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Woof. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs.

Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Woof. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs. Dogs.

Laura is a textile designer combining dye, print and embroidery techniques. Hand drawn designs provoke a unique range of vibrant printed fabrics; with an eclectic mix of Arabic, oriental and metropolitan sources, originating from Morocco, Spain and South Korea.
Ranging from traditional Islamic mosaics to Korean street signs, this distinctive collection adopts striking colours and rich pattern design to infuse a cultural blend of East and West.

Laura is a textile designer combining dye, print and embroidery techniques. Hand drawn designs provoke a unique range of vibrant printed fabrics; with an eclectic mix of Arabic, oriental and metropolitan sources, originating from Morocco, Spain and South Korea.
Ranging from traditional Islamic mosaics to Korean street signs, this distinctive collection adopts striking colours and rich pattern design to infuse a cultural blend of East and West.

Laura is a textile designer combining dye, print and embroidery techniques. Hand drawn designs provoke a unique range of vibrant printed fabrics; with an eclectic mix of Arabic, oriental and metropolitan sources, originating from Morocco, Spain and South Korea.
Ranging from traditional Islamic mosaics to Korean street signs, this distinctive collection adopts striking colours and rich pattern design to infuse a cultural blend of East and West.

Laura is a textile designer combining dye, print and embroidery techniques. Hand drawn designs provoke a unique range of vibrant printed fabrics; with an eclectic mix of Arabic, oriental and metropolitan sources, originating from Morocco, Spain and South Korea.
Ranging from traditional Islamic mosaics to Korean street signs, this distinctive collection adopts striking colours and rich pattern design to infuse a cultural blend of East and West.

Rich, bold and detailed surfaces are what captivate’s Lucy’s imagination. A created world of prints that are directly developed from a previous design concept. An individual whom has merged the natural, man made and the irrational into aesthetically engaging bespoke prints, which can be applied to many interior surfaces. Drawing and colour are the fundamentals of the work. An obsession with line, tone, scale and colour has allowed Lucy to explore the true nature of a repeat and what it can be pushed and developed into using modern and industrial techniques.

Rich, bold and detailed surfaces are what captivate’s Lucy’s imagination. A created world of prints that are directly developed from a previous design concept. An individual whom has merged the natural, man made and the irrational into aesthetically engaging bespoke prints, which can be applied to many interior surfaces. Drawing and colour are the fundamentals of the work. An obsession with line, tone, scale and colour has allowed Lucy to explore the true nature of a repeat and what it can be pushed and developed into using modern and industrial techniques.

Rich, bold and detailed surfaces are what captivate’s Lucy’s imagination. A created world of prints that are directly developed from a previous design concept. An individual whom has merged the natural, man made and the irrational into aesthetically engaging bespoke prints, which can be applied to many interior surfaces. Drawing and colour are the fundamentals of the work. An obsession with line, tone, scale and colour has allowed Lucy to explore the true nature of a repeat and what it can be pushed and developed into using modern and industrial techniques.

Rich, bold and detailed surfaces are what captivate’s Lucy’s imagination. A created world of prints that are directly developed from a previous design concept. An individual whom has merged the natural, man made and the irrational into aesthetically engaging bespoke prints, which can be applied to many interior surfaces. Drawing and colour are the fundamentals of the work. An obsession with line, tone, scale and colour has allowed Lucy to explore the true nature of a repeat and what it can be pushed and developed into using modern and industrial techniques.

Melissa’s love for pattern and shape is revealed through her 3D metal work. Intricate abstract drawings from inside the body transpire on to sculptural body adornment. The armour inspired creations are functional as jewellery, yet can also be seen as handcrafted metal work, interactive and adaptable to any environment.

Melissa’s love for pattern and shape is revealed through her 3D metal work. Intricate abstract drawings from inside the body transpire on to sculptural body adornment. The armour inspired creations are functional as jewellery, yet can also be seen as handcrafted metal work, interactive and adaptable to any environment.

Melissa’s love for pattern and shape is revealed through her 3D metal work. Intricate abstract drawings from inside the body transpire on to sculptural body adornment. The armour inspired creations are functional as jewellery, yet can also be seen as handcrafted metal work, interactive and adaptable to any environment.

Natasha is specialising in jewellery and metalsmithing. Her work is based on objects found during archaeological digs and how they are archived and displayed.
Natasha is inspired by how metals deteriorate over time becoming fragile and how this can be imitated using different methods with metal.
She enjoys working with metal as its properties often cause it to behave in an unexpected way which produces positive outcomes. She has been using various techniques to add texture, colour and pattern to her pieces.

Natasha is specialising in jewellery and metalsmithing. Her work is based on objects found during archaeological digs and how they are archived and displayed.
Natasha is inspired by how metals deteriorate over time becoming fragile and how this can be imitated using different methods with metal.
She enjoys working with metal as its properties often cause it to behave in an unexpected way which produces positive outcomes. She has been using various techniques to add texture, colour and pattern to her pieces.

Natasha is specialising in jewellery and metalsmithing. Her work is based on objects found during archaeological digs and how they are archived and displayed.
Natasha is inspired by how metals deteriorate over time becoming fragile and how this can be imitated using different methods with metal.
She enjoys working with metal as its properties often cause it to behave in an unexpected way which produces positive outcomes. She has been using various techniques to add texture, colour and pattern to her pieces.

Natasha is specialising in jewellery and metalsmithing. Her work is based on objects found during archaeological digs and how they are archived and displayed.
Natasha is inspired by how metals deteriorate over time becoming fragile and how this can be imitated using different methods with metal.
She enjoys working with metal as its properties often cause it to behave in an unexpected way which produces positive outcomes. She has been using various techniques to add texture, colour and pattern to her pieces.

Noorhan’s work is inspired by glass as a material and she develops her own making methods to express the material quality. She strives for making the glass more alive by the addition of bubbles. The natural aspects of glass are often suffocated by design and the making development, rather than becoming part of the object. Her aim is to let the material speak for itself.

Noorhan’s work is inspired by glass as a material and she develops her own making methods to express the material quality. She strives for making the glass more alive by the addition of bubbles. The natural aspects of glass are often suffocated by design and the making development, rather than becoming part of the object. Her aim is to let the material speak for itself.

Noorhan’s work is inspired by glass as a material and she develops her own making methods to express the material quality. She strives for making the glass more alive by the addition of bubbles. The natural aspects of glass are often suffocated by design and the making development, rather than becoming part of the object. Her aim is to let the material speak for itself.

Noorhan’s work is inspired by glass as a material and she develops her own making methods to express the material quality. She strives for making the glass more alive by the addition of bubbles. The natural aspects of glass are often suffocated by design and the making development, rather than becoming part of the object. Her aim is to let the material speak for itself.

The discovery of Rebecca’s grandmother's 1950s dresses ignited a love of vintage designs and patterns. Using this inspiration Rebecca has transformed her vintage inspired designs into patterns that have a traditional aspect with a modern twist. She has used colour and layout to break up the pattern to give the design a contemporary feel. Reflective on the 1950s style, she has integrated reality and flowing repetitive floral designs, with bold complimentary colours creating a modern interior range.

The discovery of Rebecca’s grandmother's 1950s dresses ignited a love of vintage designs and patterns. Using this inspiration Rebecca has transformed her vintage inspired designs into patterns that have a traditional aspect with a modern twist. She has used colour and layout to break up the pattern to give the design a contemporary feel. Reflective on the 1950s style, she has integrated reality and flowing repetitive floral designs, with bold complimentary colours creating a modern interior range.

The discovery of Rebecca’s grandmother's 1950s dresses ignited a love of vintage designs and patterns. Using this inspiration Rebecca has transformed her vintage inspired designs into patterns that have a traditional aspect with a modern twist. She has used colour and layout to break up the pattern to give the design a contemporary feel. Reflective on the 1950s style, she has integrated reality and flowing repetitive floral designs, with bold complimentary colours creating a modern interior range.

Sally has created a collection of turned pieces. Using unwanted wood sourced from overgrown hedgerows and roadside trees. The inspiration for Sally’s collection came from the female form, the way women feel about themselves as well as the way they are seen by others.

Sally has created a collection of turned pieces. Using unwanted wood sourced from overgrown hedgerows and roadside trees. The inspiration for Sally’s collection came from the female form, the way women feel about themselves as well as the way they are seen by others.

Sally has created a collection of turned pieces. Using unwanted wood sourced from overgrown hedgerows and roadside trees. The inspiration for Sally’s collection came from the female form, the way women feel about themselves as well as the way they are seen by others.

Sally has created a collection of turned pieces. Using unwanted wood sourced from overgrown hedgerows and roadside trees. The inspiration for Sally’s collection came from the female form, the way women feel about themselves as well as the way they are seen by others.

Lose yourself in the shapes and shadows of Istanbul. Sophia’s work is a contemporary take on lace that draws inspiration from the 15th century architecture of the Ottoman Empire.
Using the innovative process of sandblasting, architectural features are carved into delicate layers of handmade paper porcelain. The effect is reminiscent of crumbling buildings, worn away over time. Sophia’s work centres on the theme of fragility in material and celebrates the ever-changing nature of our surroundings.

Lose yourself in the shapes and shadows of Istanbul. Sophia’s work is a contemporary take on lace that draws inspiration from the 15th century architecture of the Ottoman Empire.
Using the innovative process of sandblasting, architectural features are carved into delicate layers of handmade paper porcelain. The effect is reminiscent of crumbling buildings, worn away over time. Sophia’s work centres on the theme of fragility in material and celebrates the ever-changing nature of our surroundings.

Lose yourself in the shapes and shadows of Istanbul. Sophia’s work is a contemporary take on lace that draws inspiration from the 15th century architecture of the Ottoman Empire.
Using the innovative process of sandblasting, architectural features are carved into delicate layers of handmade paper porcelain. The effect is reminiscent of crumbling buildings, worn away over time. Sophia’s work centres on the theme of fragility in material and celebrates the ever-changing nature of our surroundings.

Lose yourself in the shapes and shadows of Istanbul. Sophia’s work is a contemporary take on lace that draws inspiration from the 15th century architecture of the Ottoman Empire.
Using the innovative process of sandblasting, architectural features are carved into delicate layers of handmade paper porcelain. The effect is reminiscent of crumbling buildings, worn away over time. Sophia’s work centres on the theme of fragility in material and celebrates the ever-changing nature of our surroundings.