Motif Tsunami Symposium
Curated & Created by NTU - Bonington Gallery
The Motif Tsunami Symposium 2020 NTU will provide a forum for discussions and debate on how the crystallisation of an ever-reductive visual language (motif) is charting changes across society, identity, retail and manufacture.
Perspectives are invited from across the academic community, from Cultural studies, Creative practice, Design theory, Marketing and manufacture etc.
An investigation into the dismissed semiotic shorthand of motif and its impact on aesthetic, consumer and design culture.
- From: Wednesday 29 January 2020, 9.30 am
- To: Wednesday 29 January 2020, 5 pm
- Location: Bonington Building, Bonington Gallery, Atrium and Lecture Theatre, Bonington Building, Dryden Street, Nottingham, NG1 4GG
- Booking deadline: Monday 27 January 2020, 4.00 pm
- Download this event to your calendar
Event details
The Motif Tsunami Symposium 2020 NTU will provide a forum for discussions and debate on how the crystallisation of an ever-reductive visual language (motif) is charting changes across society, identity, retail and manufacture.
Perspectives are invited from across the academic community, from Cultural studies, Creative practice, Design theory, Marketing and manufacture etc.
An investigation into the dismissed semiotic shorthand of motif and its impact on aesthetic, consumer and design culture.
The short hand of Motif is dominating multiple aspects of the aesthetic landscape, from accelerated trend signposting and design development, to recalibrated consumer behaviours and communication rituals. Its influence as a recognisable signifier of tribe, status, and identity grows stronger year by year. This Motif Tsunami is part of the broader cultural phenomenon of a constant reduction in our modes of communication.
The emergence of, and dependence, on this new visual shorthand is driven by everything from the pictograph world of digital emoji vernacular to the illustrated self-branding of tattoo culture. Built off the back of 80s and 90s brand logo loving and the postmodern ironic re-appropriation of cartoon and manga culture, a new set of trend semiotics emerges, creating the next generation complex cultural hieroglyphics – Motif.
Participation is open researcher academics, PhD students, and anyone interested in addressing one of the following sub-themes;
- Motif – Individuality and neo-tribes: The semiotics of cool (Dr Vanessa Brown)
- Motif – Trend Tsunami: Erosion of design individuality and creative innovation (Tim Rundle)
- Motif – From Interface to Gamification: Digital impact and the standardising of taste. (Dr Bill Balaskas)
- Motif – Pattern Potential: Design narratives and brand identities (Kate Farley)
- Motif – Want v Waste: Driving new consumer behaviours and environmental consequence.
Notes on potential themes emerging from broader analysis:
Motif – easy badge of individuality
The consumer uses motif to create a Morse code of multiple potential messages and gestures. From their last text, to their new tote, they have become experts at selecting and curating images that best represent their ideas and speak on behalf of their aspirations. As a badge of individuality or as a sign of tribal belonging. As an icon of credibility or an emblem of conformity.
Motif – eroding design and creative innovation
The inconsistent and tardy nature of trend adoption within contemporary product development and design practice highlights a lack of originality in response to trends. As evidenced by the homogenisation of motif across in the design community (from design student to established design brands). This phenomenon is exacerbated by the limited methods and services that support the effective anticipation and interpretation of motif. The forecasting industry has evolved to offer information in a very narrow format, with little differentiation. This form of information seems out of sync with new design practices by artificially compartmentalising trend information.
Motif – defining digital impact and the standardising of taste
In the wake of the digital revolution, changes in the ready access to design images, the profile of design industry and the erosion of design discipline barriers have resulted in fundamental changes in the design process itself. The Web and the associated tide of images it has released have heavily influenced the nature of inspiration and coloured the development of design outcomes. This vast shared visual library has magnified the impact of common consciousness and created a need for designers to push for greater variety with a more timely and individual response to trend.
Motif – altering consumer purchasing behaviours
Driven by the consumers increasing dependence of motif as a badge of credible participation in the culture of trend, Motif has become one of the greatest villains in the drama of fast fashion. Consumers are rejecting and repurchasing, driven by the need to have key motif trends evident on their key style identity markers (apparel, interior, tech etc.)
Programme
| Time | Agenda | Location |
| 9.30 am | Arrival and refreshments | Bonington Atrium / Gallery |
| 10.00 am | Welcome by Professor Peter Ford | Bonington Lecture Theatre |
| 10.05 am | Keynote Speaker Presentations
| Bonington Lecture Theatre |
| 11.15 am | Pecha Kucha Presentations Chair: Natalie Brown – Deputy Dean
Discussion of presentations | Bonington Lecture Theatre |
| 1.00 pm | Lunch | Bonington Atrium |
| 2.00 pm | Key note speaker presentations
| Bonington Lecture Theatre |
| 3.00 pm | Pecha Kucha presentations
Discussion of presentations | Bonington Lecture Theatre |
| 4.00 pm | Panel Discussion Chair: Professor Amanda Briggs-Goode Dr Bill Balaskas; Natalie Brown; Dr Vanessa Brown; Kate Farley; Professor Peter Ford; Claire Lockwood; Tim Rundle | Bonington Gallery or Bonington Lecture Theatre |
| 4.45 pm | Closing themes from the day and recommendations Prof. Peter Ford | Bonington Gallery |
| 5.00 pm | Close |
Location details
Room/Building:
Address:
Bonington Building
Dryden Street
Nottingham
NG1 4GG
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