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James Walker

James Walker

Senior Lecturer

School of Social Sciences

Staff Group(s)
Department of Humanities

Role

James is the course leader for Creative Writing BA (hons). He has taught at Nottingham Trent since 2015 at undergraduate and postgraduate levels. He was initially employed by the university as a writer to help develop modules that enabled students to gain real life experience of working on literature commissions. One example of this is Dawn of the Unread, an online comic series exploring Nottingham’s literary heritage which created roles for over 120 students who helped oversee all aspects of production (contracts, editing, commissioning, budgeting, marketing, promotion, etc). This won a Teaching Excellence Award at the Guardian Education Awards in 2015.

James specialises in digital storytelling. He produces the monthly video essay series Locating Lawrence on YouTube which explores the letters of D.H. Lawrence, a century from when they were written. This project will run till 2030. He makes digital comics, such as the Whatever People Say I Am series, with each comic challenging a stereotype. One of these comics, ‘Degrees of Isolation,’ challenged the stereotype of student behaviour during the Covid-19 Lockdown and was co-created with students across the globe.

Other roles include HEA Senior Fellowship reviewer and a member of the TILT Artificial Intelligence group. Since 2022, James has been an academic mentor at the Global School where he leads students from economically deprived backgrounds on international research trips whereby their findings inform council initiatives and strategies in Ashfield, Bolsover and Mansfield. One outcome of student research was the creation of an AI Gallery in Mansfield.

James is passionate about Nottingham’s literary history and has written about this for the Guardian Independent The Space, BBC Radio 3 and BBC Radio 4. He is currently working on a short story collection called The Right Side of Darkness.

Career overview

The below list relates to some of the literary and heritage organisations James has worked with.

  • Board director, Worldwide Teaching and Learning Partnerships, (2025 - )
  • Consultant, Mighty Sprouts, 2024-25
  • Trustee, Nottingham Open Spaces Forum (2024 -)
  • Consultant, Academics of Working Class Heritage, 2023
  • Trustee, D.H. Lawrence Society (2018 - 2021)
  • Consultant, East Midlands Heritage Awards (2017 - 2019)
  • Board Director, Nottingham UNESCO City of Literature (2015 - 16)
  • Consultant, Ray Gosling Archives (2014 - 2016)
  • Chair, Nottingham Writers' Studio (2012 – 2015)
  • Board Director, Nottingham Festival of Words (2012 – 2014)
  • Trustee, Alan Sillitoe Committee (2011 – 2013)
  • Literature Editor, LeftLion Magazine (2004 - 2016)

Research areas

In his role with the Global School, James is interested in civic engagement, youth empowerment, and community building. As a writer, he produces innovative and multi-collaborative digital storytelling projects. These include:

  • The D.H. Lawrence Memory Theatre (2018 -) Curating the life of the writer D.H. Lawrence through artefacts, thereby offering an alternative narrative to the traditional biography.
  • Locating Lawrence (2017 –) A monthly video essay based on the letters of D.H. Lawrence. Aims to draw attention to the archives and make original sources more accessible to modern readers.
  • Whatever People Say I Am (2017 –2025) A series of online comics challenging stereotypes. Each comic is informed by academic research and is intended to make findings more accessible.
  • Dawn of the Unread  (2014 -) a sixteen-part comic series exploring Nottingham’s literary history. Created as a response to alarming literacy statistics in the UK and the closure of libraries and independent bookshops. This award-winning project was central to Nottingham’s bid to become a UNESCO City of Literature. It also pushed the medium of comics by including embedded content. This provided additional context to the panels in the form of video, audio and essays.
  • Being Arthur (2014), the first live 24-hour Twitter presentation of Saturday Night and Sunday Morning for the Being Human Festival.
  • The Sillitoe Trail  (2012 -2013) commission for BBC/Arts Council England's multimedia platform The Space. It explored the enduring relevance of Alan Sillitoe's debut novel Saturday Night and Sunday Morning (1958) and was voted in the Top Ten of their content. Commissioned artists ranged from a teenage beatboxer to an eighty-year-old poet.

Opportunities to carry out postgraduate research towards an MPhil / PhD in the School of Social Sciences exist and further information may be obtained from the NTU Doctoral School.

External activity

For the past decade James has worked voluntarily for various literary organisations, helping to promote and celebrate Nottingham’s literary history. His personal highlight was being part of a consortium of literary organisations who successfully bid for Nottingham to be accredited as a UNESCO City of Literature in December 2015. As a co-director of The Festival of Words (2014) he helped create Nottingham’s first literature festival in 40 years. He lives by the ethos of create the kind of city you want to live in.

He is currently working with the D.H. Lawrence Society, helping to develop Lawrence’s former home, Breach House, into a cultural heritage space to be used by arts communities, and digitising their archives. He is also a trustee of the education charity World Teaching and Learning Partnerships which is developing reading projects to help improve literacy levels across the globe.

Sponsors and collaborators

Current and recent research is being conducted with the collaboration, funding and / or support of:

  • Ashfield County Council, Bolsover County Council, Mansfield Couty Council and Nottingham City Council
  • Arts Council England
  • BBC
  • D.H. Lawrence Society
  • LeftLion magazine
  • Nottinghamshire Police Crime Commissioner
  • Nottingham UNESCO City of Literature
  • Think Amigo

Publications

Comics

  • Degrees of Isolation, Walker J and Morey L, Whatever People Say I Am, 2023 – student experiences of lockdown
  • I’m only Happy when it Rains, Walker J and Fillingham P, Whatever People Say I Am, 2020 – Hungarian migrants working in Post Brexit Britain
  • Changing Minds, Walker J and Thompson K, University of Nottingham Institute for Policy and Engagement, 2020 – addressing misogyny hate crime
  • What is Coming, Walker J and Joyce E, Whatever People Say I Am, 2019 – Syrian refugee stories
  • The Knowledge, Walker J and Larder S, Whatever People Say I Am, 2019 – dementia patients in a care home
  • The Bigger Picture, Walker J and Brick, Whatever People Say I Am, 2019 – the role of the arts in retirement
  • For it was Saturday Night, Dawn of the Unread, 2015 – story about Alan Sillitoe
  • Calm Down, it’s only an Abookalypse, Dawn of the Unread, 2014 – story about libraries closing down

Digital

  • AI Up Mi Duck, Walker J, itch.io. 2023
  • The Loneliness of the Lockdown Runner, Instagram, 2022
  • Dawn of the Unread app. Walker J and Fillingham P, Think Amigo, Apple Store, 2014
  • The Sillitoe Trail app. Walker J and Fillingham P, Think Amigo, Apple Store, 2012

Edited

  • Independence: An Anthology of Flash Fiction, Walker J and Bray S (eds), FLSH  Université Catholique de Lille, 2025, ISBN: 9 782958 451714
  • The Journal of European Comic Art, 18 (2), 2025: ‘Comics Ethnographies’ Guest Editors: Fuggle S and Walker J, berghahn journals, 2025
  • Dawn of the Unread, Walker J and Fillingham P, Spokesman Books, 2017

Short Stories/Fiction:

  • Extreme Intimacy, Independence, FLSH 2025
  • The Long Silver Legs After Midnight. Hearing Voices, Crystal Clear Creators (3), 2011
  • The Three And A Half Day Parent. Walker J, Route Offline: A Festival of Short Stories, Route, 2008
  • Trying To Find Van Breukelen. Walker J, in (ed) Daley I, Ideas Above Our Station, Route, 2006
  • The Cocco-Bella Man. Walker J, in (ed) Daley I, Wonderwall, Route, 2005
  • Why I Have to Wear a Pair of Wranglers Everyday for the Rest of my Life, While I Live on this Street, Walker J, in (ed) Daley I, Naked City, 2004, Route
  • The Housewives Tale, Walker J, in (ed) Hazelwood R, York Tales, Endpapers, 2004
  • Hamadrayus Baboons and Lisa Lashes, winner Jo Cowell International Short Story Contest, 2003

Academic:

  • Whatever People Say I Am: Co-creating Comics that Challenge Stereotypes, Walker J and Trickett L in The Journal of European Comic Art, 18 (2), 2025, 71-95. https://doi.org/10.3167/eca.2025.180205
  • ‘Introduction: Comics Ethnographies,’ Walker J and Fuggle S in The Journal of European Comic Art, 18 (2), 2025, 1-11  https://doi.org/10.3167/eca.2025.180201
  • ‘Slowing down time with the video essay’ Walker J, Critical Studies of Television Online, April 2025 https://cstonline.net/?p=14362&preview=1&_ppp=d44a0cf04a
  • Walker, J. (2025) ‘Borrowed Time’ in eds: Dancus, Adriana Margareta & Alan O’Leary ELLA: Literature and the Video Essay: Researching and Teaching Literature Through Moving Images Vol.3(2), https://doi.org/10.58215/ella.71
  • ‘Whatever next for Lawrence County? An Evaluation of Literary Heritage in Eastwood, Walker J, Journal of D.H. Lawrence Studies, Vol 7 (1) 2024, 311-324
  • ‘The Importance of Delayed Gratification: D.H. Lawrence and the Visual Essay’ in Viewfinder 122: May, 2023
  • 'Rethinking Literary Heritage and the Traditional Dissertation' Walker J, in Makings Journal (Studio), May 2022
  • 'How Best to Celebrate Literary Heritage?' Journal of D.H. Lawrence Studies (JDHLS) Vol 6 (1), 2021, 223-228
  • The People Formerly Known as Tutors: A Case Study of Instagram, Digital Culture and Education, 2020.
  • My name is Ruth Schwiening, YouTube, Video Essay, commission for National Holocaust Museum, 27 Jan 2023 (National Holocaust Day)
  • Time to Ditch the Traditional Essay! Walker J, Journal of Writing in Creative Practice, 11 ( 2), 2018, 267-273
  • Dawn of the Unread: A Manifesto, Durham University Beyond Crisis: Visions for the New Humanities, Walker J, 8-9 July 2014
  • Le Parkour: The Body as Politics. Walker J, The Public Sphere, Dec/2009

Press expertise

James has been writing about Nottingham’s literary history for the past decade for a variety of publications and has helped form the strategy for various literary organisations, such as Nottingham’s UNESCO City of Literature bid. He is particularly interested in the relationship between digital and literature, digital literary criticism, social media, and literary heritage.