The final year dissertation module enables you to undertake a sustained, single piece of independently researched work on a topic of your choice, under expert supervision.
The Creative Writing Dissertation
As an alternative to the critical dissertation, you may wish to do a creative writing dissertation. This alternative will enable you to study and participate in the practice of writing, with particular focus on the production of a long piece of individual creative work.
English and Creative Industries Project
As an alternative to the critical Dissertation or Creative Writing Dissertation, you may opt to undertake a project. The module will give you the opportunity to undertake project work in a small group, led by a project supervisor, and to produce a portfolio of critical and reflective writing. Working with an employer on a defined project you'll be able to put into practice the skills and knowledge gained over the course of their degree within a professional setting.
Humanities Research Project
Explore your interests in a way that draws on both subject areas. Combine the knowledge and skills you have gained in each of your subjects to complete an interdisciplinary piece of research. You can deliver your project either as a written dissertation or through an alternative creative format such as a publication, film, podcast, website, or performance, supported by a shorter essay.
English optional modules
Early Modern Poetry and Prose
This module introduces you to authors writing poetry and prose in the sixteenth and seventeenth centuries. You’ll become familiar with some of the following literary genres: the sonnet, the epic poem, the epyllia, ‘metaphysical’ poetry, satire, political allegory and radical writing. The module will greatly expand contextual knowledge, and explore political and religious context, as well as the application of appropriate theoretical approaches (e.g. cultural materialism, gender theory)..
Reading Gender and Sexuality
This module examines the politics and aesthetics of gender and sexuality in relation to the writing of 20th Century and contemporary literature. It historicises and submits to sceptical analysis central concepts in the period's conceptualisations of fixed gender identities and sexual identities. Key terms for analysis include: femininity, masculinity, androgyny, heterosexuality, homosexuality, bisexuality, transgender, ethnicity, and 'difference'. These are related to literary texts from a range of cultures and from four main periods: the early 20th Century, the mid-century, the period of the sexual revolution and the contemporary.
Postcolonial Texts: Narratives of Liberation
This module focuses on postcolonial texts (fiction, poetry and film) and considers the relationship between acts of representation and the politics of anti-colonialism and postcolonialism. It introduces you to the historical, political and cultural contexts of the postcolonial world, as well as to a range of texts produced in postcolonial societies.
Travel Writing: Texts, Contexts and Theory
Led by members of staff from our highly regarded Centre for Travel Writing Studies, this module provides an overview of travel writing. It examines criticism and theories of the genre (including arguments about whether it constitutes a genre at all). You’ll be invited to consider the relationship of travel writing to society and to other forms of literature, both canonical and non-canonical.
Gothic Rebels and Reactionaries
This module will begin by exploring Romanticism’s Gothic impulse, examining the rise of the Gothic Romance in the late 18th Century, before investigating its development into the 19th Century. Each week, the module will consider a key literary text from the period alongside a theoretical issue in order to establish a critical vocabulary from which to interpret and understand Gothic’s many manifestations.
Literature in Theory: Writing, Technology, and the World
This module aims to enable an advanced understanding of debates that have significantly reshaped literary and critical theory in recent years. Contemporary theory is now a very large and diverse field; focusing on specific issues and questions, this module will deepen your knowledge of literature and its cultural and social locations. It will consider how the concept of ‘literature’ and the practise of writing has been profoundly transformed by work that innovatively reshapes the relationship between writing, criticism, and subjectivity.
Modernism and Modernity
This module explores some of the central features of the many transnational movements of modernism, examining how the experimental qualities of modernist culture were conditioned by responses to changes in social and technological modernity.
Nuclear Literature: Culture in the Atomic Age
Introduces students to the literary and cultural impact of a key technology and the latest debates in the Nuclear Humanities. Engaging students with research being undertaken into this subject at NTU, the module considers the representation of nuclear technology and science in literary texts, as well as the questions raised for literature by the dawning of the nuclear age.
American Specialisms provides an opportunity for students to pursue the advanced study of one or two American literature specialisms, developed from recent and current research being carried out by tutors. You will be encouraged to intervene in current debates in American literature, engaging directly with expert researchers in the field, and consider how the subject is being shaped by contemporary thinking. You will cover a particular topic in American Studies, which will allow you to explore issues such as sustainability, the relationship between the local and global and the effect of modernity.
Film & TV optional modules
American Television since 1950
This module examines American television from the 1950s to the current moment. It moves from the emergence of the Classic Network Era through to the Post-Network era of digital television. It places American television in its historical, industrial and cultural context. It considers the formal and aesthetic properties of American television programmes and engages with the organization and history of network television (for example NBC) and cable television (for example HBO).
American Cinema since 1949: Margins and Mainstreams
This very popular module explores American cinema from 1949 to the present day by looking at different but interrelated areas of production, typically including Hollywood, the Independent Sector, and the experimental-underground cinema.
International Cinemas II
This module considers a variety of subjects pertaining to the study of international cinemas. Issues and concepts such as slow cinema, New Wave cinema, Diasporic filmmaking and world cinema blockbusters will feature amongst case studies of European, South American and Asian cinemas. While it will pay due attention to film style and form and to the way films engage with socio-cultural and political contexts, it will also examine the policy and film industrial frameworks within which film is produced.
European Cinema: Globalisation and Resistance
This module begins by accounting for the factors that explain the domination of global Hollywood in terms of industrial organisation, film marketing, distribution and exhibition and, of course, the films themselves. This module analyses the different ‘survival’ strategies developed by European film (imitation of Hollywood, specialisation or the provision of alternative forms), building a strong sense of the material conditions the European film industry must deal with in the process.