Communications and Film & TV BA (Hons)

Core modules

Explorations in Identity and Selfhood

This module looks at a range of psychological and sociological theories of identity and selfhood.  Starting with our common sense understandings and a focus on 'personality', it moves out towards more radical theories and arguments, which see identities as more contingent and de-centred.

Putting Film and TV into practice

This module explores the vibrant and varied theoretical landscape that shapes our understanding of the big and small screen. It draws upon canonical work in film theory and television studies, as well as theories that attend to more marginal screens, texts, audiences, and industries, enabling you to theorise classical Hollywood cinema and popular TV genres, as well as films and shows from alternative filmmaking and televisual perspectives and practices.

Transformation: Agency and World

What purpose do the humanities serve in today's society? How can the humanities help in the process of "healing and securing our planet" and "freeing the human race from poverty" as stated in the 2030 Agenda for Sustainable Development of the United Nations?

This module focuses on the UN Sustainable Development Goals and encourages you to develop your awareness of how your own field of study as well as cross- and inter-disciplinary actions can result in real, quantifiable change. Alongside a personal reflective portfolio, you will share your knowledge and understanding developed through the module to produce a news reel of how a contemporary sustainability goal relates to your discipline.

In this module you will either undertake an 80 hour placement, supported by the Arts and Humanities employability team, or will engage in an 80 hour project, responding to a supplied employer brief  and producing a solution to the brief given.

Optional pathways

Pathway 1: Extended work-like experience

Get the experience you need for after you graduate, and really understand how the things you study translate into the world of work with a work placement. Your highly experienced Employability Team will help you find a placement to suit your career goals from our huge network of companies, charities, institutions, and beyond.

Pathway 2: An international exchange

Travel the world, meet new friends, and have experiences you will remember for the rest of your life.

Our flexible curriculum has been designed to allow some amazing opportunities for you. Your second year of study is divided into two semesters, giving you the opportunity to take part in an international exchange. You could study with one of international exchange partners in Australia, Europe, USA, Canada, Thailand and many, many more.

Our dedicated team will support you in finding and arranging a suitable exchange. And don't worry about the cost, they will help you apply for any grants or loans you may need, as no one should miss out on the chance to broaden their horizons.

Pathway 3: Taught modules

Interdisciplinary optional modules typically include:

Intercultural Communication at Work

Gain the knowledge, skills and strategies to build your intercultural communication competence. Analyse and reflect on the impact of culture(s) on your values, assumptions, perceptions, expectations, and behaviours. Build successful verbal and non-verbal communication strategies in different intercultural settings.

People and Planet: pasts, presents, and futures

In this module you will develop an understanding of the human impact on the environment from the 15th Century to the present as a form of slow but sustained violence enacted against the planet. It will also explore how such long-term change can interact with social justice in the present day.

Rhetoric and Public Communication

You will develop the theoretical knowledge and practical skills required to become an effective communicator in both face-to-face and online contexts. It will provide you with a thorough grounding in the theory and techniques of classical rhetoric, as well as the latest social-psychological theories of rhetoric and their application. You will also be introduced to theories of political communication, propaganda and the psychology of leadership

Film & TV optional modules typically include:

British Cinema

This module looks at British cinema from 1960 onwards from a variety of perspectives. It considers how ‘British cinema’ is defined and its purpose in terms of representation and diversity in the face of the dominance of Hollywood. We study topics including the Bond franchise, Swinging London, social realism, the British gangster film, Hammer horror, the costume drama, Thatcherism on screen, New Scottish cinema and ‘the Troubles’ in Northern Ireland. We also visit Broadway cinema for a screening and industry talk.

Analysing British Television

This module explores in-depth the specific characteristics of the British TV landscape. It introduces students to the story of British television. It surveys important factors and influences that have historically shaped British television industries and institutions, as well as forms and genres. Second, it explores different televisual mediation of class, gender and race/ethnicity. Third, it explores the key genres which enable us to make sense of British television both in the past and in the present.

Film Programming

This module gives you the opportunity to devise, plan and run your own pop-up film event. Working in groups, and alongside experienced industry professionals, you will be responsible for identifying an event theme, selecting and curating event content, and delivering your film event at one of a series of city venues. Across the module you will gain industry-ready skills in research and curation, pitching and collaboration, licensing and copyright, venue management and setup, PR and promotion, and event production and management, alongside a unique insight into Notts film culture.

Communications optional modules typically include:

Journalism and PR: Critiques and Practice

This module explores the new ways of working and new modes of creativity in today's economy. Ranging across the fields of advertising, PR and journalism, you’ll interrogate the economic, psychological and sociological coordinates of the new forms of communication and media technology used in those industries, and you’ll examine the new types of creativity which have arisen as a result.

Media, Communication and Culture in East Asia

This module provides an insight into contemporary media development and cultural change in East Asia, placing this in the context of broader historical, economic and cultural debates. It will examine a wide range of media forms including print media, broadcasting, film and new media technologies, assessing their cultural impact in East Asian societies. It will explore contemporary issues of media development and policy and it will relate these to longer historical contexts.

Gender and Sexuality

Gender’ and ‘sexuality’ are familiar terms; however, they are also highly complex and contested. This module examines the ways these concepts have been theorised from a range of academic perspectives - including psychoanalysis, cultural history and feminist theory. It also orientates around three central questions: i) what is the substance of gender? ii) how do we become gendered? and iii) why do masculinity and femininity take the forms that they do and how do they change over time?

Core module

Major project

For your major project in your final year of your studies, you can choose to undertake a project in either one of your two Joint Honours subjects.

Communications Major Project

The Communications Major Project will provide you with a unique opportunity to choose a topic relevant to the field of Communications in which you have a special interest, and to explore it in depth over a sustained period of time. You can either produce a traditional, written dissertation, in which you will interrogate your chosen area of study and develop an argument of your own; or you can produce a media artefact (such as a screenplay, a podcast or a video), along with an accompanying critical analysis, in which you might explore your topic more creatively. Whichever format you choose, you will be supported throughout both by regular workshops, and by your own dissertation supervisor.

Film and Television Major Project

The Film and Television Major Project offers you the chance to create a project on a film and/or television topic you are inspired by. This could be a written dissertation, a visual essay or podcast for instance. Taught sessions and tutors help throughout the process. You are free to choose your topic and develop your ideas around areas of interest. Recent projects range from witchcraft on film, queer youth in American cinema and female rage in the horror film to masculinity in Breaking Bad, satire in It’s Always Sunny in Philadelphia, sexuality in Sex Education and Squid Game and the K-Wave.

Humanities Research Project

The Humanities Research Project provides you with the opportunity to work with the combined knowledge and skills you have gained in each of your subjects and further develop them to create a substantial and independent piece of research. The Research Project can be fulfilled through either the writing of a dissertation or through a project in an alternative practice-based format (e.g. publication, film, (video)game, performance, report, podcast, creative writing, exhibition, web-based etc.) accompanied by a shorter essay.

Transformation: Agency and Social Change

In this module, you will engage in a 'live partnership' with a cultural festival that is designed to deliver social change through the Arts and Humanities: the Counterpoints-run initiative, Refugee Week. Over the course of the module, you will gain insight into the sociocultural challenges faced by refugees in the C21st, and will explore the work of Counterpoints Arts as an organisation that seeks to address those challenges via cultural activity. Drawing on these insights, you will work in interdisciplinary teams in order to create a Refugee Week campaign that champions positive social change in attitudes or behaviours towards refugees. Ultimately, the module invites you to consider how your disciplinary knowledge of the Humanities enables you to become a responsible global citizen, and to assume responsibility for championing positive social change, whatever your chosen career.  The main assessment for this module is the creation of a ‘campaign tool’ (blogpost, podcast, social media post series, educational pack or other, that will be presented as part of a team ‘campaign’ at the end-of-module ‘festival’. You will also complete the Developing with NTU Award.

Interdisciplinary optional modules typically include:

Artificial Intelligence: Human Factors

This module will introduce you to problems and issues associated with technological change, automation and digitization, with a specific emphasis on the likely future impact of artificial intelligence on the wider human dimension, both individual and collective. Providing you with expertise required to become managers and policy-makers in the AI future, the module will take an interdisciplinary approach, drawing on the insights of philosophers, literary theorists and practitioners, historians, and social theorists.

Humanities in Action

What is the value of 'Humanities'? Answer this question from multiple perspectives - knowledge and intellectual value, economic value, humanities and "hard" and "soft" skills, social value, the value to the individual - and find it's place in society.

Film and TV optional modules typically include:

American Television since 1950: from broadcast to narrowcast

This module examines American television from the 1950s to the present. It follows key developments in the industry, such as the formation of the classic network system, the arrival of cable and the development of on demand and streaming services, each of which has characteristic sorts of programming associated with it. We focus on key genres and cycles during this period to investigate how television responded to changes in wider American society.

Rubbish Film

Rubbish, garbage, trashy – we all occasionally use these words to describe films. Salvaging such throwaway responses, this module explores questions of equality, sustainability, climate change, industry and innovation through rubbish and its relationship to film. From films made from rubbish, and films that take garbage as their explicit thematic concern; to fake found footage films, bad biographies, the ‘dirt’ of B movie cinema, and Hollywood’s penchant for ‘recycling’ via superhero sequels and franchise reboots, you will come to understand the wastefulness of film without getting your hands too dirty.

American Cinema Since 1949: Margins and mainstreams

1949 marks the enactment of key legislation which had some far-reaching effects on American cinema over time. This module covers the period from that date to the present, identifying key trends in the industry as it responds both to these changes and to changing American social contexts in a wide variety of ways. We examine both mainstream Hollywood cinema, the independent sector, and the increasingly complex relationships between the two.

Global Screen Cultures

On this module, you will engage with a dynamic range of global screen cultures that will encourage you to challenge familiar intellectual frameworks and integrate such alternatives into your own ways of being, knowing and thinking. While the module explores style, form and socio-cultural and political contexts, it also examines the policy and industrial frameworks within which global screen cultures are produced and circulate.

Communications optional modules typically include:

Persuasion, Promotion, Propaganda

We live in an age of systemic propaganda where the manipulation of others is normalised and sometimes even praised. Indeed, we live in time when almost all of us are propagandists through our attempts to manufacture a public images online that may or may not conform to the reality of who we really are. Through case studies from politics, business and non-profits, this module examines efforts to persuade mass audiences to think, feel and act in ways deemed desirable to the source of the communication. We will critically explore fundraising communications by charities, electioneering by politicians and political parties, and efforts by private citizens and organisations to generate attention for themselves or for the causes and interests that they represent.

Natural Futures? Global Environmental Catastrophes and the Fate of Life on Earth

This module will help you understand our contemporary environmental emergency by grasping its roots in the past, comprehending the shape it takes today, and envisioning a range of possible future scenarios for a new flourishing of life on Planet Earth. As well as exploring theoretical, political and activist perspectives on environmental catastrophe, this module will support you in becoming an imaginative agent of change in the fight to shape better global futures.

DJ Cultures: History, Theory and Technique

From obscure roots, the art of DJing has in recent decades exploded into the limelight as a major form of popular culture. No prior experience of DJing is required to take this module, which combines a basic ‘taster’ introduction to DJ technology and the practical techniques of DJ performance with a theoretical consideration of various styles of DJing, their histories, their related musical experiences and their wider cultural significance and influence.

Self in Crisis: Power, Prejudice and Otherness

This module brings together debates which contend that, in various ways, contemporary selfhood is in a profound state of crisis. One part explores the idea that the very concept of the self – which, for so long, has sat at the very heart of the humanities - is itself problematic. Another considers the troubling of contemporary selfhood in more existential terms; that is, in terms of people’s actual lives and experiences. Here, special emphasis is placed on the status of mental illness and the roles of psychiatry and psychotherapy.

Advertising, Journalism and the PR Project

This module explores contemporary communication industries through the concept of ‘convergence’. This idea refers to the way in which individuals working in areas such as advertising, PR and journalism increasingly have to take on a variety of roles which cut across the traditional boundaries of each sector, and need to learn to use a variety of working practices and technologies as a result. The module culminates in you developing a PR project..

What's New: the Future of Media Communications

This module looks at innovations and challenges that face media communications professionals as they look to the future. Using practical assessments such as blog writing, producing a radio advertisement and making an audio slideshow, students will advance their media skills in preparation for future employment as digital, multi-media producers. You will examine the issues, ideas and debates which contemporary journalism and marketing have to engage with, such as the funding and accessibility of news on the internet, the nature and trends of popular content, new styles and forms of presentation and the blurring of fantasy and reality in digital communications.